![]() Graham took a psychoanalytical viewpoint on dance. Graham developed her technique over time and softened some of the exercises to ensure that the movements were not overly rigid. But it is not true that lyricism or nuanced movement is not valued in the technique. It was this admiration of powerful gesture that often gave the work an angular and stylized appearance. To try to show that ugliness may actually be beautiful if it cries out with the voice of power" (Mazo, 1977, p. Graham believed that the first task when working with students "is to teach them to admire strength - the virile gestures that are evocative of the only true beauty. Much of that syllabus comes to us today directly from Graham, and in many places is still taught in precisely the same manner. In addition to the power and originality of Graham's choreography, she was known for developing a codified system of exercises that could be used to train dancers in her style. That is what I aim for in my dances" (Mazo, 1977, p. Graham herself described her dances as stylized to represent the times in which she was creating: "Life today is nervous, sharp and zigzag. The mythic content of her work was introspective in its involvement with human emotions and the personal exploration of deep-seated motivations. Known for her theatricality, severity, solemnity, and emotionally charged dances, Graham was a true original. For many people, modern dance is synonymous with the work of Martha Graham. They are two of her signature movements: the contraction and strike pose, respectively. These are images from the Martha Graham (1894-1991) technique. ![]() Probably the most iconic image of modern dance in the general public is of a woman clad in a dark leotard and tights seated on the floor reaching upward with her torso curving backward or while standing on one leg with her other limbs outstretched and her focus downward. As a result an entirely contemporary set of technics was evolved. ![]() Body is the basic instrument, intuitive, instinctive. out of this came a different use of the body as an instrument, as the violin is an instrument. By communication is not meant to tell a story or to project an idea, but to communicate experience by means of action.
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